Beta 52A and D112 are designed to have a slight boost around 4kHZ which adds definition in … background: linear-gradient(to bottom, #660000 0%,#8F0000 100%); For instance, the '57 has a gentle rise in the presence region up to 10kHz or so, whereas the Beta-52a has a 10dB peak at 4kHz. background: -ms-linear-gradient(top, #660000 0%,#8F0000 100%); I prefer the beta 52 for a fuller warmer kick, and the d112 for a harder sound. the d112 gets a good mix between the beater and the resonance inside the kick, and the D6 is great for getting primarily a beater sound. background: -o-linear-gradient(top, #660000 0%,#8F0000 100%); background: -webkit-gradient(linear, left top, left bottom, color-stop(0%,#660000), color-stop(100%,#8F0000)); width: 50%; border-style: outset; For those who have no idea what polar pattern is, it is basically the microphones natural directionality. is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to (,, or Generally, microphones are divided into 3 impedance. So, this might not affect your choices that much. If in personally, we prefer and recommend you to choose the Beta 52A over the AKG D112 just because the IMHO the 52 gives you more to work with and just that straight up rock and roll thump. The AKG D112 Kick Drum Mic is usually being used on stage or in the studio, the microphone is also using to clean up the dirty low down on the drum. background: -moz-linear-gradient(top, #660000 0%, #8F0000 100%); Home » Microphones » Shure BETA 52A vs AKG D112 MKII, By Emma, in background: -ms-linear-gradient(top, #660000 0%,#8F0000 100%); These types of microphones are really great for loud stages. $('.ptp-price').matchHeight(false); table#t83 thead tr th#t83.end { (function(){window.mc4wp=window.mc4wp||{listeners:[],forms:{on:function(evt,cb){window.mc4wp.listeners.push({event:evt,callback:cb});}}}})(); We should start with these 2 mics specifications. Last update: August 13, 2019. Retaining sonic strength from its predecessors. This video is also short if you skip some of the first parts of this video and go straight to the review. Like Beta 52A, D112 is also specifically created for kick drums. } D112 gives a more modern sound while B52 gives a more traditional sound. But with AKG D112 MKII, it can handle up to 17000 Hz while Shure Beta 52A can only handle up to 10000 Hz. if i'm forced to pick just one mic i'd pick the D112, followed by a combination of D6 for kick in and beta52 for … Sennheiser E935 Vs Shure Beta 87A Comparison, Sennheiser E945 Vs Shure Beta 58A Comparison, Sennheiser e935 Review: A Bright, Sensitive Mic for…. } table#t83 tbody tr { }. You have to make sure that your professional or home music studios are great for recording. table#t83 tbody tr:hover td { color: #EEEEEE; High SPL capability, punchy EQ, and bulletproof construction. Both of them are famous in the music and/or recording industry. Required fields are marked *. } Save my name, email, and website in this browser for the next time I comment. (This only applies if your choices are between Shure Beta 52A and AKG D112 MKII only). Conclusion padding: 4px; background: none repeat scroll 0 0 #FFFFFF; To record a kick, you can use the microphone like AKG D112 and Shure Beta 52A. Among AKG D112 and Shure Beta 52A mic, which becomes your favorite mic? gets that nice round kick sound. When we look at these 2 microphones’ prices, they are very close and so you won’t be able to use price as a key distinguishing feature. They can deliver studio-quality sound even at extremely high SPLs. These are specialist kick drum microphones. But it causes Beta 52A to be limited when used in other low-end instruments like bass guitars. One of the major selling points of this mic, you will be happy to know that this one doesn’t cause your full-sized boom stand to tip over! Beta 52A and D112 are designed to have a slight boost around 4kHZ which adds definition in low-end instruments. You will be provided by superb attack and punch. With hardened steel mesh grill for long-lasting use. - Large-diaphragm dynamic microphone for bass instruments, - Classic microphone for stage and studio applications, - Studio quality performance, even a high sound pressure levels, - Low sensitivity to varying load impedance, - Frequency response shaped specifically for kick drums and bass instruments.